Mark Tribe is an artist whose drawings, photographs, installations, videos and performances explore the relationship between culture and technology. His have been exhibited widely, including solo exhibitions at the Corcoran Gallery of Art in Washington, D.C.; Momenta Art in New York; Los Angeles Contemporary Exhibitions; the Queen Victoria Museum in Tasmania; and DiverseWorks in Houston.
His work has also been shown at the Palais de Tokyo in Paris; the Menil Collection in Houston; Centre Pompidou in Paris; the Queens Museum in New York; the National Center for Contemporary Arts in Moscow; MUAC in Mexico City; SITE Santa Fe; the San Diego Museum of Art; the Telfair Museum of Art in Savannah; Ronald Feldman Gallery in New York; and Yossi Milo Gallery in New York. He has received grants from Creative Capital, the New York Foundation for the Arts, National Performance Network, ArtsLink, and the Experimental Television Center.
He is the author of two books, The Port Huron Project: Reenactments of New Left Protest Speeches (Charta, 2010) and New Media Art (Taschen, 2006), and numerous articles. His work has been reviewed or discussed in Artforum, Art in America, Artnews, the Brooklyn Rail, Die Welt, El Pais, Flash Art, Frieze, Frankfurter Allgemeine Zeitung, Hyperallergic, the Los Angeles Times, Modern Painters, Newsweek, and the New York Times. Tribe is Chair of the MFA Fine Arts Department at School of Visual Arts in New York City. In 1996, he founded Rhizome, an organization that supports the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. He received an MFA in Visual Art from the UCSD (1994), and a BA in Visual Art from Brown University (1990).